However, Adam Downer of Sputnikmusic said that "by the end of the song, you're in awe of such a jam session" and named it a "recommended track". Rob Sheffield of Rolling Stone said the horn section "was a cornier-than-usual art-rock cliché, trying way too hard for a way-too-obvious gimmick". Lorraine Ali, writing for Newsweek, described the song as "annoying pileup of squawking instruments". Mark Beaumont, who disparaged Kid A in Melody Maker on its release, wrote ten years later that the "free-form jazz horns" of "The National Anthem" produced a "mingus-in-a-tumble-dryer racket". In his review of the album for the New Yorker, Nick Hornby mentioned the song as "an unpleasant free-jazz workout, with a discordant horn section squalling over a studiedly crude bass line". The song received polarised reviews from music critics. David Fricke of Rolling Stone called the song "crusty funk". Cam Lindsey of Exclaim! wrote that the song is a "radical jazz-rock fusion". Simon Reynolds of Spin said: "the song is a strange, thrilling blast of kosmik highway music - combining Hawkwind's " Silver Machine" with Can's " Mother Sky" and throwing in free-jazz bedlam for good measure". The free jazz section was described as "a brass band marching into a brick wall" by one reviewer. The bass riff of "The National Anthem" was written and performed by Thom Yorke ( pictured in 2010) Just blow, just blow, just blow.'" Īn early demo of "The National Anthem" was included in the special edition of the 2017 OK Computer reissue OKNOTOK 1997 2017. Yorke said: "The running joke when we were in the studios was, 'Just blow. Yorke and Greenwood directed the musicians to sound like a "traffic jam" according to Yorke, he jumped up and down so much during his conducting that he broke his foot. In November 1999, Radiohead recorded a brass section inspired by the "organised chaos" of Town Hall Concert by the jazz musician Charles Mingus. Jonny Greenwood added Ondes Martenot and sampled sounds from radio stations, and Yorke's vocals were processed with a ring modulator. Yorke played bass on the studio recording. Instead, they saved it for their next album, Kid A (2000). In 1997, Radiohead recorded drums and bass for the song, intending to develop it as a B-side for their third album, OK Computer (1997). Radiohead's singer, Thom Yorke, wrote the "National Anthem" bassline when he was 16. Problems playing this file? See media help.
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